(c) 2016 Frontiers Records
- Rock Me To The Top
- EZ Come EZ Go
- Gettin' Better
- Comin' Atcha Live
- Before My Eyes
- 2 Late 4 Love
- We're No Good Together
- Love Me
- Cover Queen
- Little Suzi
- Modern Day Cowboy
- Save That Goodness (new studio track)
Jeff Keith--Lead Vocals
Frank Hannon--Guitar, Bass, Mandolin, Keys, Backing Vocals
Brian Wheat--Bass, Piano, Keyboards, Backing Vocals
Dave Rude--Guitars, Backing Vocals
Troy Lucketta--Drums, Percussion
Live albums. I love them...or else I want to love them and they end up letting me down. Those two options are really it for me, at least that's always been my experience. It often comes down to whether or not I have actually heard the band live, to be quite honest. If I've seen a band live, I tend to be more critical of the live album because I know what they sound like live, and usually that isn't what comes on the record. As we all know, most live albums aren't actually all that "live" now, as they are filled with studio overdubs, Pro Tools edits, and songs taken from multiple concerts then edited together to create one "concert" filled with seemingly flawless performances. In theory, it may be sound practice because, let's face it, a band doesn't want to put out garbage, especially now that so many bands are releasing these albums themselves with little or no label money to back them. If they are going to release something, they want it to sound as good as possible so that they can actually sell the albums and recoup their costs. Like I said, it makes sense. But it's still disappointing for me because I want an element of genuineness when I buy a live record. This is especially true of a band I have never seen live...and may never get the chance to see live...because it gives me a bit of that experience I have missed. Maybe I'm weird like that, but that's just how live records do...or should...work, in my opinion.
Now, Tesla is a band that I have seen live...a few times. I have NEVER been to a bad Tesla show. Ever. They are one band that has always left me feeling like my money was well spent after I leave one of their shows, so when I heard they were releasing (another) live album, I was immediately interested. When I heard their intent for this new live album, I went from interested to almost obsessive. Why? It's simple. What Tesla does here is an interesting twist on the live album concept, as they play one album...exclusively...on this live record. Of course, I am talking about one of my all-time favorite albums, the truly remarkable debut record, Mechanical Resonance. Def Leppard recently did much the same thing, re-recording their massively popular Hysteria album live, as well, although I am admittedly not a huge fan of that album (in fact, I think Viva Hysteria: Live At The Joint is pretty much garbage). Why do I bring this up? Hang in there...it will make sense.
It has amazingly been 30 years since Tesla released their debut record, but despite that lengthy span of time, they are one of the few bands of that era that not only still records and releases new material, but has also survived largely intact as far as members go. Only Tommy Skeoch is no longer with the band, having been replaced by Dave Rude a full decade ago. As such, you know that the band has performed the majority of these songs so many times over the years that it would likely be easy to phone the performances in...and many people wouldn't even blame them. After all, thirty years of performing "Changes", "Little Suzi", and "Modern Day Cowboy", among others, would likely become a bit less than exciting. But that is not how the band comes across on this record. Sure, you can hear some years on the band, especially in a bit of additional scratchiness in Keith's vocals, but for my money, this only serves to add to the authenticity of the performances here. Besides, it's not the hits that I was most interested in hearing here; it was the deeper album cuts that never get pulled out now that I was most keen on hearing. I have tried and tried, but I can't remember ever hearing "Right Before My Eyes" or "Cover Queen" live, although I have to believe "Cover Queen" has been tackled at some point throughout the years. The same thing can be said for me of "We're No Good Together"; I know it has to have been played live at some point, but I just don't know that it has ever been at a show I have attended, personally. Regardless, I am happy to say that I was not let down by the live renditions of these songs, as the band performed them for this record like they have been doing them day-in and day-out for the last three decades. It is really a treat to hear these songs given the chance to shine on the stage, at least for me.
Speaking of treats, the brand new studio track, "Save That Goodness" is a definite high point and a really nice add-on for an already impressive record. A mid-tempo bluesy rocker that treads that Aerosmith territory that Tesla has so respectfully and respectably called home, this new track is easily one of the best songs the band has recorded in years. And this is where we flash back to that Def Leppard reference I made earlier, as this song was co-written by none other than Lep guitarist, Phil Collen, who will also be producing Tesla's upcoming ninth studio album. Never a hair band, which is the label that seemingly haunted them back in the 80's and early 90's, much as it did Aerosmith, Great White, and other bluesy hard rock bands, Tesla knows exactly what type of music they work best with and what their fans expect from them, and this new track is a perfect example of that. Filled with interesting backing percussion, Keith's instantly recognizable rasp, some soulful female backing vocals, and a catchy-as-heck rhythm, "Save That Goodness" is exactly the type of song that represents Tesla when they are at their best, which is where this live...plus one...album finds them.
If I had any real complaints about this record, it would be that they tinkered with the track order. I know, I know..."Little Suzi" and "Modern Day Cowboy" have to be encore material, especially from this record, and I could probably forgive those tracks being shuffled. But why change the order of all the other songs? That I don't get at all. At least they didn't pull a Foreigner and give us a live album that makes allusions to being an album performed in its entirety, then leave tracks off and add in songs that don't belong (see my review of Best Of Foreigner 4 & More). Other than that, the band's performances here...which I have no doubt have been touched up at least to a degree...are really good and very reminiscent of the live experiences I have had with this band. Add in the really, really good new studio track...one of their best in many years...and I am happy to say that overall I am very happy with my purchase of this live record from Tesla.
Rating: Definitely crankable! I give this a solid 8, which is about as high as I think I could ever go with a live album.