JODI ESSEX "Fearless"

(C) 2022 Independent Release

1. Offend
2. Fearless
3. Unravel
4. Lean
5. Bandaid
6. Shine

Jodi Essex--Lead and Backing Vocals

Josiah Prince--All Instruments and Production

Two years ago, newcomer Jodi Essex dropped her debut album, Irreverant.  While definitely a strong debut with some excellent material, I didn't feel the album really captured all that Essex was capable of.  There was too much middling material on the record as Essex seemed to waffle between being a rocker and being a CCM/pop crossover artist, especially on the ballads.  I opined on my review of the record that "a lot of how Essex fairs from here forward is going to depend largely upon what direction she chooses to take her music.  I have no doubt that she will find success in whatever style of music she chooses to perform  I truly hope it is the rock road that she chooses to travel."

Wish granted!

With her new album, Fearless, Essex comes out firing on all cylinders, producing the kind of album (okay, EP) that I felt she was capable of!  Enlisting the help of one of the hottest writers and producers in Christian rock, Mr. Josiah Prince of Disciple, who co-wrote every track here, Essex has crafted an energetic, rocking record that should open the eyes of many a listener.

Three singles have already been released, and each has delivered a little something different from Essex.  "Offend" is a straight-up hard rock track with an equally punchy message to those members of the church who choose to teach a watered-down version of the Gospel in the hopes of attracting more congregants.  Similar to the way Fireflight addresses the show biz-like atmosphere of many churches today in "Welcome To The Show", the video for "Offend" gets right to the heart of the matter with a steam-punk outfitted Essex asking "would you offend for the Gospel?" as she addresses a panel of wishy-washy church leaders.  From there, thundering drums kick start this driving rock track, with "Offend" taking a far punchier approach than anything on her previous album.  Alternately gritty--almost sneeringly so--and soaring, the verse sections showcase the various styles that Essex spread out over multiple tracks on Irreverent, with a snappy, energy-infused chorus blasting the listener with that same opening line..."Would you offend for the Gospel?  Or will you bend for mankind?"  

On the second single, "Unravel", Essex slows things down to power ballad territory, albeit with some modern rock song structure, to present a song about the power of a person's will and the need to surrender our spirit and allow God to "unravel" the walls we put up around ourselves.  A bed of electronic effects and percussion intros the song, with Essex's breathy vocals carrying the verse toward a powerful-yet-simplistic chorus.  From here, new layers of instrumentation are added, with Prince's (Disciple) guitars adding their voice to the mix as Essex ramps up the power in her voice until it reaches a full-throated peak during the third run through the chorus.  Orchestral elements are added as Prince winds his way through an emotion-drenched solo before giving way to Essex and her closing runs through the chorus.  More outstanding guitar work leads the track out, and almost immediately I hit repeat.  This...THIS...is the kind of ballad that Essex absolutely dominates and is what I was hoping we would hear from her this time around.  I can't help but think of Berlin's big hit, "Take My Breath Away" from the Top Gun soundtrack when I hear this song (now that I mention it, I would LOVE to hear Essex tackle that classic hit!), and for me it is obvious this is the type of song Essex works best with, at least on slower material.

Most recently, Essex dropped the title track from the EP, a song which finds the singer treading a more mid-tempo rock track and handling it in fine fashion.  Starting off with a punchy rhythm section intro, this straight ahead rock track allows Essex to really shine as the instrument-sparse verse sections provide the perfect showcase for her gritty vocals, while the chorus offers her the chance to soar a bit more with her voice.  There's a cool vocal bridge that has Essex delivering different vocal lines in a nicely layered section, and throughout the track there is a looped vocal that I would swear is echoing "The Warrior" of Scandal fame.  Check it out below.

By the way, I have no idea who the band is in the video, as no musicians were credited in the press information I had with the exception of Josiah Prince (who is featured in the video).  

As to the other three tracks here, all three could possibly see single release, as well, with "Bandaid", in particular, drawing my attention.  The hard-edged modern rock track "Bandaid" starts off with a crunchy guitar riff and some thunderous drums before Essex comes rushing in, singing about not living life with regret or hesitation, imploring the listener "don't waste another day, another minute, another hour...Don't put off the inevitable, Don't wait too long, you'll miss the incredible...".  What's especially striking is the punchy, aggressive chorus which finds Essex snarling "Rip the Bandaid, Rip the Bandaid, Rip the Bandaid OFF!"  

"Lean" has an urgent sound from the get-go, with a pulsating bed of electronics opening things up before giving way to a heavy, plodding rocker with a seriously down-tuned guitar line grinding away beneath the verse sections.  Essex's voice stands in stark comparison to the much darker-toned music of the track, with comparisons to Rage Against the Machine not being out of line, especially in the tone of the guitars (heck, the riff isn't completely different from "Bulls on Parade" if you have heard that track.  No, I'm being serious...).  I could see this song (as well as "Bandaid") becoming signature songs for the vocal powerhouse, as the edgier music really provides a backdrop that allows Jodi to shine.   

"Shine" is something of an outlier here, with its island rhythm and Essex's reggae-styled vocal delivery.  Very laid back in its structure and presentation, "Shine" is nothing like anything else on the EP and I'm a bit torn on my feelings for it.  On the one hand, the track almost doesn't seem to fit what is an otherwise rock-centric album.  On the other, Essex sounds very confident in her delivery here and you can hear her smile as she sings, particularly on the chorus.  Wisely placed at the end of the EP, "Shine" doesn't damage the release by any means, and I find myself inclined to repeat it from time to time, but it doesn't grab me for the same reason as a track like "Offend" or "Bandaid".

In a perfect world, Fearless would be garnering all sorts of attention in both the Christian and secular markets, but as is the case with anyone not named Skillet, Red, or maybe Stryper, there are very few chances for Christian artists to crossover these days, especially with all radio being programmed basically the same.  As such, I challenge readers to snag a copy of this digital release and share the love with their friends and family, spreading the word about the talent of this vocal powerhouse. Lyrically bold and passionate, and musically dynamic, Fearless is one great guitar rock album, Christian or not.

Check out jodiessex.com for more information, or find the digital EP on all major streaming platforms.  

Rating:  Crankable...very crankable...so turn this up to an 8.5!

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